| Reviewer | Joey Wilson |
| Experience | 25 |
| bigredbass1955@yahoo.com | |
| Review date | December 22 2002 |
| Manufacturer | Alembic |
| Model | Spoiler five-string |
| Price | $1500 |
| Item owned for | 2-5 years |
| Bass type | 5 string fretted |
| Neck join | Neck Through |
| Neck construction | Alembic Deluxe Laminate: 7-ply rock maple/purple heart |
| Fingerboard | 24-fret ebony |
| Body | 3A Quilt Maple top over mahogany |
| Finish | transparent red polyurethane |
| Pickups | Alembic AXY active humbuckers |
| Hardware | Alembic brass bridge, tailpiece, adj. nut,, gold Gotoh keys |
| Electronics | Spoiler circuit: 9v, volume, tone, Qswitch, slelctor |
The specs above will fill in the blanks of the construction/ electronics, so I'd rather go through a few personal observations after living with this instrument now for 3 or 4 years.
ALEMBICs are the result of a vision. Few companies build their own pickups, or their own bridges, or adjustable nuts. No one else builds their electronics with NASA-spec (mil-spec isn't good enough!?!) parts, and even uses gold plug-ins without solder joints. And the wood craftsmanship is without equal.
I cannot say enough about the customer support. ALEMBIC is a small family business that backs each instrument as if it were one of their children. And their online forum at the Alembic Club (link from the ALEMBIC website, www.Alembic.com) is a terrific resource, with LOTS of input from the company, who sponsors the forum.
When I gig or record, this instrument OWNS the low end of any situation. The sustain is phenomenal. The sound is rich, hearty, and authoritative. On a good rig, I'd use this analogy: My previous basses were like Jack Daniel's, the ALEMBIC is pure Crown Royal. It is a sophisticated sound that complements anything I've encountered.
I have owned various Yamahas, Fenders, etc. When I tried the various Tobias, Spector, Pedulla, etc., while I was impressed with their quality, they all sounded the same. And that was not surprising when I noticed they all used the same pickups (EMG and Barts) and mostly the same hardware (Gotoh bridges, etc.). When I played this bass, it was unlike anything I'd heard previously. And you don't see ALEMBICs that often, so I admit owning a legend appealed to me. The mechanical and electronic features of this bass continually amaze me due to the insights manifested in its construction.
This is really like a Steinway grand, a Selmer Paris horn, or a D'Angelico: a landmark in instrument achievement that is a lifetime instrument. I'll never play anything else.
| Construction | 100% |
|
| (Stunning) | ||
| Appearance | 95% |
|
| (Who else takes 4 weeks to put on twenty coats of hand-rubbed clear coat?) | ||
| Playability | 98% |
|
| (Great neck, frets; dual truss rods, adjustable nut make set-up maintenance a | ||
| breeze) | ||
| Sound | 100% |
|
| (How do they get everysound in the book with one knob and a switch?) | ||
| Customer Service | 100% |
|
| (They do everything except adopt you and send a profit-sharing check.) | ||
| Value | 98% |
|
| (Expensive when new because there's nothing cheap about it) | ||
| Overall | 100% |
|
| (It really is everything I ever wanted.) | ||