| Reviewer
| Enric Fernández-From Spain-,longtime guitarist,recently turned |
| |
into bass.
|
| Manufacturer
| Cort
|
| Model
| Curbow 4 string,fretted.
|
| Price
|
|
| |
|
| Neck Type
| Canadian hard rock maple,2 pieces, bolt-on
|
| Fingerboard
| Ebonol, fretted
|
| Body Type
| Luthite
|
| Finish
| Burled walnut
|
| Pickup(s)
| Passive w/active circuitry,1 soapbar,Mightymite pickup
|
| Controls
| Vol,3 band eq,slap preset switch
|
| |
|
EMail :odisea7@teleline.es
As a newcomer to the bass world,I was looking for an unexpensive,but
trusty bass,but all of them exceeded my bugdet...´til I found this
unbelievable Cort:Wow!.First of all,the finish,that makes it outstand
among much more priced others;the second shock comes when you put your
hands over it,reinforcing the impression of playing a custom
instrument-sorry,maybe my lack of experience,I know I´m a bass
nerd,but I feel real enthusiastic about that Cort!-.The feeling of the
neck and fingerboard is superb,the instrument feels solid when
playing-and light weighted,no backbreaker here!-,and the tones,very
modern oriented,have a wide tonal range,thanks to the on-board EQ:but
this bass has been created for slap-o-mania(it almost slaps
alone!),and you can find an slap preset switch,with two little pots on
the back,which you can customize with the help of a little
screwdriver;the only negative point I find is the lack of balance when
sitting;you´ll always need a strap,but ít´s not a major
trouble.I play the bass through a line6 POD in its "tube preamp"
position,with a heavy comp and a little reverb,monitoring with my
hi-fi home setup (Luxman 40+40 amp and Vieta 3-way bass reflex
loudspeakers)and sounds killer!.Just imagine with a ballsy Ampeg or a
punchy Hartke!.Considering its price,it´s a real deal(don´t know
the current conversion to USD,but I paid 83.900 pesetas-I live in
Barcelona,Spain_-for it,soft case included)
| Construction
| 95% |
|
| Playability
| 100% |
|
| Appearance
| 100% |
|
| Sound
| 95% |
|
| Value
| 100% |
|
| Cust. Service
| 95% |
|
| Overall
| 95% |
|
This page is part of the BGRA
All rights reserved.