| Reviewer | Dave Matthews,44, 28 years playing |
| Manufacturer | Fender |
| Model | 1960 Jazz Bass stacked pot |
| Price | $325 CDN (in 1974) incl. original case |
| Neck Type | Bolt-on, maple |
| Fingerboard | rosewood, 20 frets |
| Body Type | alder body |
| Finish | sunburst, nitro |
| Pickup(s) | 2 Fender Jazz pickups (original) |
| Controls | two volume, two tone, stacked |
Well, I got lucky years ago. My Jazz is all-original,but well-played. The finish is checked somewhat, and there is a bit of "belt-buckle syndrome" on the back, but I have all the original hardware, including all the screws, covers, and even those silly felt mutes.
This bass is one of the best sounding instruments I have ever played. The pickups are fully original, and give a growly, defined sound, with plenty of high-end attack, while retained the warmth that old Fenders are known for. Unlike newer Jazzes, this one allows individual tone adjustmens for each pickup. I usually just leave 'em wide open.
The bass has been well-cared for, and the neck has never given me any trouble, is stable, and the the bass stays in tune. It also has the original frets! (Only one redress) I am a fairly light player, I guess. She's really playable, too. My action is set medium-low, and I use Labella SuperSteps (standard gauge), and everything plays clean, with good intonation.
The only trouble with these old Jazzes is the outrageous prices they want for them if you find them. I bought mine as a working bass in 1974, and boy, has it appreciated. I plan to keep mine forever, and I only play in at home and in the studio now. If you CAN find a pre-CBS Jazz that you don't need to mortgage the house for, it really is hard to beat for just about any style.
| Construction | 90% |
|
| Playability | 95% |
|
| Appearance | 100% |
|
| Sound | 100% |
|
| Value | 100% |
|
| (for me, in 1974) | ||
| Overall | 100% |
|