| Reviewer | BD Warrior |
| Experience | 27 years |
| Review date | March 26 2002 |
| Manufacturer | Fender |
| Model | 1965 Jazz Bass |
| Price | $350 in 1978 |
| Item owned for | A very, very long time |
| Bass type | 4 string fretted |
| Neck join | Bolt-On |
| Neck construction | Once piece, headstock painted to match body |
| Fingerboard | Rosewood, small dot markers, original frets |
| Body | No idea, but its pretty heavy |
| Finish | Original Olympic White but has yellowed with age |
| Pickups | Original 1965 pickups |
| Hardware | All original hardware except 1980 brass nut |
| Electronics | Passive, no repairs to the electronics |
What makes this such a good bass is its sound. I've played a lot of basses, and the new high-end instruments sound fantastic, but I have yet to play another bass with the "character" that this, or other similar Fender basses have. There's something about the growl you get from this bass.
I put this bass into semi-retirement in the late 1980s when I bought an Ernie Ball Musicman StingRay bass (which is another great bass, but that's another review). The Fender's neck was starting to shift a bit in humid weather, so rather than submit it to surgery I pickup up the MusicMan.
While the sound this bass pumps out is incredible, I would never pay the current retail for one of these. I saw a dead-ringer for mine in a New York City shop for $8,000 (that?s more than I've ever paid for most of my cars!). But if I were Sting and needed something to play in the studio ..........
I've played Fender's reissue and their relic of my bass, and while they are close in look, they don't match the tone or the feel. But maybe after 37 years of use they will sweeten with age.
| Construction | 90% |
|
| (The the parts but the nut have held up) | ||
| Appearance | 95% |
|
| (After 40 years they still look the same!) | ||
| Playability | 75% |
|
| (Was once Great but now Just Good) | ||
| Sound | 100% |
|
| (Tone is King) | ||
| Value | 25% |
|
| (This was a bargin in '76, but not today) | ||
| Overall | 90% |
|
| (While Tone is King, Value is a Close 2nd) | ||