| Reviewer | Tom Bramhall |
| Experience | 30 |
| tom@bramhall.org | |
| Review date | January 27 2003 |
| Manufacturer | Paul Reed Smith |
| Model | 1989 ten top w/ bird inlays |
| Price | 2064 |
| Item owned for | A very, very long time |
| Bass type | 5 string fretted |
| Neck join | Set Neck |
| Neck construction | Maple neck |
| Fingerboard | 34 inch scale rosewood with bird inlays |
| Body | mahogany body with carved maple top |
| Finish | mahogany and neck black, top is transparent grey |
| Pickups | 4 PRS pickups, 3 sense and 1 hum cancel |
| Hardware | PRS chrome |
| Electronics | hybrid active and passive. Active bass and treble |
| Construction | 100% |
|
| (This thing just works so well) | ||
| Appearance | 100% |
|
| (All the other guys want to steal it!) | ||
| Playability | 98% |
|
| (Okay, the string spacing is a little tight for slapping, but I have figured o | ||
| ut how.) | ||
| Sound | 100% |
|
| (Astounding! Southern Gospel to Heavy metal guys drool over the same bass!) | ||
| Value | 100% |
|
| (It has been faithful and required zero work.) | ||
| Overall | 100% |
|
| (I love it and it is my signature sound bass!) | ||